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HomeArts + Cultureartisans in Marrakech’s old medina face uncertain future – podcast

artisans in Marrakech’s old medina face uncertain future – podcast

The 6.8 magnitude earthquake that struck Morocco’s Atlas mountains on September 8 killed greater than 2,000 other folks and left 1000’s extra homeless. Portions of the outdated medina within the within sight town of Marrakech, a Unesco global heritage website, have been left badly broken.

On this episode of The Conversation Weekly podcast, two months after the earthquake, we pay attention why Marrakech and its medina are so vital to Islamic heritage – and why some researchers are nervous that the experience of town’s conventional artisans may well be lost sight of within the reconstruction.

Nour Eddine Nachaoune used to be on his moped when the earthquake struck. He didn’t really feel the rest strange, however started to peer passersby performing unusually. “Folks have been operating, then preventing – they gave the impression disorientated,” he recollects. Nachaoune is knowledgeable in Moroccan heritage at Mohammed V College in Rabat, and lives in Marrakech.

After going to his house within the new a part of town to test his circle of relatives have been alright, he went into Marrakech’s outdated medina the place his place of job is primarily based, inside of his father’s outdated weaving workshop. Like lots of the structures within the medina, it used to be badly broken, with cracks at the partitions and the facade. Nachaoune recollects:

The medina which I knew had totally modified. This medina, with its colors and scents, I didn’t recognise it. It used to be devastated. It had turn out to be fatal and dangerous. It used to be a horrible surprise which traumatised me for plenty of weeks.

Marrakech’s medina holds main architectural significance for Islamic heritage. It used to be based within the eleventh century by means of a dynasty referred to as the Almoravids after which evolved additional by means of their successors, the Almohads. Nowadays, fairly a little of this medieval infrastructure stays in Marrakech’s medina.

“It is because when Morocco used to be a French protectorate, the French management who used to be ruling over Marrakech sought after to maintain that medieval a part of town for their very own instructional find out about,” explains Abbey Stockstill, a professor of artwork historical past and knowledgeable in medieval Islamic artwork at Southern Methodist College in Texas in the United States. She’s frolicked residing and dealing in Marrakech as a part of her analysis into the improvement of town right into a medieval city.

Nowadays, the medina is house to a lot of artisan workshops that make the ceramic tiles, carved plaster and complicated woodwork that beautify town. “Visiting those workshops is unbelievable, basically as a result of they’re nearly all circle of relatives run,” Stockstill explains. “Hardly do they’ve storefronts so promoting is basically executed by means of phrase of mouth.”

Like a lot of the medina, many of those artisan workshops have been broken within the earthquake. The artisans are actually ready impatiently for assist from state assist programmes geared toward restoring the day by day lives of the ones affected. However Nachaoune warns that Morocco’s artisans have been already within the grip of a structural disaster neatly earlier than the earthquake hit, as a result of how closely they depend at the vacationer trade. And now he says they’re no longer being referred to as upon to assist with the reconstruction after the earthquake.

The rarity of artisans specialising in conventional building ways has turn out to be a significant issue in recent times. This explicit wisdom is beginning to disappear, mainly as a result of the modernisation of the development procedure and the loss of coaching programmes to maintain those very important talents.

Pay attention to The Conversation Weekly podcast for the total interview with Abbey Stockstill and Nour Eddine Nachaoune. A complete transcript is now available.


This episode used to be written and produced by means of Gemma Ware and Katie Flood with the aid of Mend Mariwany, who additionally recorded the English voiceover on this episode. Eloise Stevens does our sound design, and our theme tune is by means of Neeta Sarl. Gemma Ware is the chief manufacturer of the display.

Newsclips on this episode from CNN, and BBC News.

You’ll to find us on X, previously referred to as Twitter @TC_Audio, on Instagram at theconversationdotcom or via email. You’ll additionally subscribe to The Dialog’s free daily email here.

Pay attention to The Dialog Weekly by the use of any of the apps indexed above, obtain it immediately by the use of our RSS feed or to find out how else to listen here.


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